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Met dank aan de originele posters indien het niet door mij geript is...
Thanks to the original posters if not ripped by myself...

01 - Funkadelic - Funkadelic - Mommy, What's A Funkadelic.flac 
02 - Funkadelic - Funkadelic - I Bet You.flac 
03 - Funkadelic - Funkadelic - Music For My Mother.flac 
04 - Funkadelic - Funkadelic - I Got A Thing, You Got A Thing, Everybody's Got A Thing.flac 
05 - Funkadelic - Funkadelic - Good Old Music.flac 
06 - Funkadelic - Funkadelic - Qualify & Satisfy.flac 
07 - Funkadelic - Funkadelic - What Is Soul.flac 
991 - auCDtect.log 
991 - Lossless Audio Checker.log 
992 - AccurateRipNotInDatabase.log 
997 - Wikipedia.url 
999 - Cover.jpg 
999 - folder.jpg 
Funkadelic - Good Old Music.lrc 
Funkadelic - I Bet You.txt 
Funkadelic - I Got A Thing, You Got A Thing, Everybody's Got A Thing.lrc 
Funkadelic - Mommy, What's A Funkadelic_.txt 
Funkadelic - Music For My Mother.txt 
Funkadelic - Qualify & Satisfy.txt 
Funkadelic - What Is Soul.txt 
Exystence Review ---------------
Funkadelic – Funkadelic (1970, Remastered 2025)
Filed Under: electronic, funk, remastered by driX — Leave a comment
August 28, 2025

Funkadelic‘s self-titled 1970 debut is one of the group’s best early- to mid-’70s albums. 
Not only is it laden with great songs – “I’ll Bet You” and “I Got a Thing…” are obvious highlights – but it retains perhaps a greater sense of classic ’60s soul 
and R&B than any successive George Clinton-affiliated album. Recording for the Detroit-based Westbound label, 
at the time Funkadelic were in the same boat as psychedelic soul groups such as the Temptations, 
who had just recorded their landmark Cloud Nine album across town at Motown, and other similar groups. 
Yet no group had managed to effectively balance big, gnarly rock guitars with crooning, heartfelt soul at this point in time quite like Funkadelic. 
Clinton’s songs are essentially conventional soul songs in the spirit…of Motown or Stax – steady rhythms, dense arrangements, choruses of vocals – 
but with a loud, overdriven, fuzzy guitar lurking high in the mix. And when Clinton’s songs went into their chaotic moments of jamming, 
there was no mistaking the Hendrix influence. Furthermore, Clinton’s half-quirky, half-trippy ad libs during “Mommy, What’s a Funkadelic?” 
and “What Is Soul” can be mistaken for no one else – they’re pure-cut P-Funk. Successive albums portray Funkadelic drifting further toward rock, funk, and eventually disco, 
especially once Bernie Worrell began playing a larger role in the group. Never again would the band be this attuned to its ’60s roots, 
making self-titled release a revealing and unique record that’s certainly not short on significance, clearly marking the crossroads between ’60s soul and ’70s funk.